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#FLUID MASK TUTORIAL FREE#

If you leave the masking a day or two, removal becomes more tricky ! Over time it becomes harder to remove, and because masks usually contain a pigment to color them, you run the risk of staining the white paper, which kind of defeats the purpose ! I tend to remove the masking three or four hours after the painting is finished.

Don’t leave the masking fluid on the surface of your paper for a long period before removal.

There’s a risk that the masking fluid will seep into the paper and you can damage the paper when you remove it.

Don’t use the masking fluid on damp paper.

There are a few important tips to keep in mind before using masking fluid on your watercolor project. I can then use my pencil outline as a guide for locating highlights and applying the frisket (Try to think of it as painting the whites rather than masking shapes). I then think about any zones which need to remain white and whether masking fluid is the appropriate way to conserve them. Most of the time I begin a new painting with a pencil sketch. Watercolor masking fluid is especially good for negative painting techniques where you establish a subject by painting around it rather than painting just the subject itself. The downside is that masking fluid produces hard edged shapes, so if you want soft blended edges to any white shapes this may not be the best solution. You can use any other watercolor techniques in conjunction with masking. The advantage of masking fluid is that you can preserve numerous complicated shapes without having to paint around them.

#FLUID MASK TUTORIAL FREE#

You can then paint a continuous background wash as if the white shapes were not there, making brush strokes free and easy. It can be used to shield any white or light toned shapes beforehand. This is where masking fluid comes in very handy. When you want a large number of complicated white shapes with a darker background the easiest way to accomplish this is by masking your paper. Some artists do use white gouache for example, but to get the purest whites and highest contrast you need to preserve the white of the paper. The conventional way to achieve white with watercolor is to use the white of the paper, and not by painting with white paint as you do with other media such as oil or acrylics. This liquid is applied to paper using various application techniques where it dries to form a watertight coating. Most products you can find are tinted with coloring to provide a better contrast on white paper, making it easier to see where you are painting the mask. The main ingredient in masking fluid is liquid latex. Masking fluid creates a protective barrier on your watercolor paper to prevent the paper from being colored by paint. I’ll also explain all the tips and tricks that I’ve learned about using watercolor masking! What is Watercolor Masking Fluid? I use a variety of tools with this method and I’ll go over them in detail below. The are a lot of great techniques that can be used to apply masking fluid, and you can produce some really impressive effects. When you’ve finished painting, wait for the paint to dry entirely before removing the masking fluid. Clean any brushes or applicators immediately after use. Once the fluid is completely dry washes can be applied quickly and freely. Only apply masking fluid to dry paper, and make sure the fluid is dry before you apply a wash of watercolor. Use a masking fluid applicator to paint the shapes you want to mask.

Don’t shake the bottle or you will get bubbles in the mixture. So how do you use watercolor masking fluid?īefore you start, stir the masking fluid thoroughly. There are a few different methods you can use for masking, but for complicated forms most artists use masking fluid (also known as liquid frisket). Of course, you can paint around shapes with some intricate brushwork, but often I find that the best solution is to protect parts of the paper by masking them. This watercolor technique is usually referred to as “ reserving whites”.

There are many occasions when you want to preserve the white paper and conserve key features in a composition. Ever tried painting a big wash of color around a complex shape ?